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Just that LUX was an amplifier maker and Micro the turntable specialist, so the former had to call on the latter for help, like many others. This doesn't mean Luxman merely rebadged something, nor that the LUX engineers had nothing to do with the technical development of its PD turntables. The PD121A's T-Tag is, btw, MITO, where MI = Micro and TO = Tokyo. In the case of the PD121, Lux looked for the Micro DD-10 and. Read this thread here and see this page there for illustrated details. Probably sometime in 1978.Īnd, yes, this was Micro Seiki engineered - with a twist : the PD121 uses the motor of Technics' 1970 SP-10, and so does the Micro DD-10 which was the base for the PD-121. I don't know exactly when the 121A came up but it was still advertised as "new" in Luxman's catalogs as late as october 1979. the black anodized aluminium of the original PD121. It is also different from the original 121 by a different rotor/sub-platter : made of zinc and Luxman tagged vs. The PD121A inherited from the load-free spindle system of the more ambitious PD444 and PD441 and added quartz-locking speed control. The base of the PD121, however, is built as a one-piece diecast mold so it'll be difficult to tweak the driving part of it. Other tonearms were mountable of course but 3009s were the ones most often used on 121s - and everybody had one anyway, and Luxman advertised the PD121 that way anyway, too.
#SME TONEARM BOARD FOR KENWOOD UPGRADE#
Its immaculate construction and finish stem from facilities and uncompromising quality control which have made the name SME a byword for audio engineering excellence.Minor bestseller in Japan for the mid-end segment of the record player market.Ī mid-end which here allowed a high-end feature : to upgrade the reproduced sound with the help of the ubiquitous SME 3009 tonearm.Ī marketing slant rarely used for this not-too-pricey segement but for the later Trio/Kenwood KD-500. This offers performance 27% better than a nine inch tonearm in respect of angular error distortion.
#SME TONEARM BOARD FOR KENWOOD SERIES#
The Model 30/2’s excellent dynamics and pitch stability are largely the result of the immense care taken in the design and execution of these components.Ī larger version of the well known Model 30/2, it will accept nine, ten and twelve inch tonearms but is especially directed at the exciting Series V-12. The massive sealed housing and individually fitted sintered bronze bearings in which the spindle runs are also of the generous proportions needed to ensure that the 330mm diameter platter weighing 7kg is adequately supported. The spindle of the Model 30/2 is 170.5 mm long and 19 mm diameter. The moving parts of a fine turntable are of paramount importance. Germany’s AUDIO ‘the best turntable of all time’ the Modelģ0/2 can be for the fortunate owner of an analogue collection Made SME a byword for engineering excellence. Its immaculate construction and finish stemįrom facilities and uncompromising quality control which have There are no critical adjustments or setting With its many original design features the Model 30/2 is a The black chrome contrast highlights and compliments this distinctive audio engineering masterpiece. The hand finished fine detail is an expression of the hand- crafted skills that SME is famous for. The Diamond Series Model 30 is machine finished to demonstrate the definitive precision, sharp lines and creative cosmetic profile. In celebration of our illustrious past and exciting future this exclusive Diamond Anniversary turntable is developed from the award winning and highly acclaimed flagship Model 30. History of SME with many great achievements made and stillīeing made from inception in 1946 to becoming a premier and The Diamond Anniversary is a significant milestone in the long